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Eros + Massacre

Today I am heading to the National Film Center of Japan, a ten minute walk from Tokyo Station, to see the Yoshida Kiju(Yoshishige) masterpiece Eros + Massacre. The film will start at 12:30 which will be followed with a talk by the director. I am very excited as I have never met or seen a talk by director Yoshida. My advisor, Daisuke Miyao, translated his book Ozu Yasujiro no han-eiga (Ozu Yasujiro’s anti-film) which tackled a lot of issues Yoshida had with Ozu’s work. The film being screened today is considered by some as a nail in the coffin of the loosely defined Japanese New Wave, of which I am writing about currently. I am very excited and will include an update when I return. Cheers!
This is a link to the schedule for today’s screening:
UPDATE:
The screening was a real treat. The film center did a restoration on the film, showcasing a brand new print. At the end of the screening and talk one of the film center employees mentioned that they are still looking for an original print (full 226 mins.) that may exist in Paris. It has not been found yet, but their belief is that it is out there. Yoshida Kiju (Yoshishige)’s talk was very enjoyable. He joked if anyone could understand the ‘dream’ (i.e. craziness) of what they had just seen. He went on to describe in detail his vision for the film of presenting a dream on the screen. I believe he has touched on this idea before, but it was no less interesting hearing it from the man himself. He was quite soft spoken and slight in stature, but his words were direct and very passionate. One of my favorite moments was his description of parting with Shochiku following his six film where they edited the final scene. In essence he told them to screw off and for him was the break of being a person who made films versus filmmaker. Also, as a surprise treat his wife, actress Okada Mariko, made a brief trip to the stage describing the difficulty of the shoot and how they had to wait to receive word if they could even screen the film in Japan. Afterwards I lined up like so many others to receive an autograph. Okada was very kind and I thank her politely for the autograph. Also, after Yoshida signed my program he looked up, flashed a smile and shook my hand. Over coming a bit of nerves I even slipped out that I enjoyed seeing the new print of the film. He smiled again and thanked me. After that I was down the stairs and heading home in the pouring rain. All in all it was a great experience and a new memory to share here and with future classrooms when I screen Yoshida’s films.